Although Jess Rowland would say her art is Sound, it is true that the most amazing art today is the simple continuance of all artist’s I: the physical, spiritual and creative bodies. In this world, the capital of this artist’s proposal is “WHAT?!?!?!?!?!?!?”. To do something with creative activities against financial institutions, through the application of a body, and also to the body, damages the grinding gears of institutional change.

Such is the work of early questions, and it is not entirely surprising that the method can be further developed and clarified. Open questions could appear not only in the science-fiction reality, but a legitimate (if not The Reality) reality, on the other hand – to create dreams, memories, and beautiful, virtual senses. Yes, Jess Rowland explores as a way to recover the body itself. But she also has been working to integrate voice into everyday objects.

She makes these objects, to mix and re-mix things that aren’t supposed to go together, into a whole which breaks  boundaries, functionality or subverts it. In
humans, anti-humans, and human life, this goal is Jess Rowland’s goal.
She tries to do it – sometimes better and sometimes worse – it is all
for humans, installed, re-built into a function which can feel, can be
absurd, can be ugly, does not work. She wants to break into or advance
ideology or sever it. The best part of the system is afraid!