Spork, Phantasm (Live Film Soundtrack at The Werepad, 1999)
The historic first Simulvision at the Werepad. Spork appears here as a three piece, with Jess playing
mostly bass, with occasion keyboard explosions, and wearing a homemade ring modulator on her head.
For an experimental jazz trio, they sound unusually like a power trio on this one. Features a one of a kind version of "Girl From Ipanema."


Spork, The Trip (Live Film Soundtrack at The Werepad, 1999)
Another one of the Simulvision series. This one's the best recorded and best performance, in my humble opinion. A sporky psychedelic soundtrack to the 1969 film about an acid trip, starring Peter Fonda. Jess returns to the trusty ol' rhodes and analog synths for this one.

Spork
, No More Feeling Weird (2000)
Vintage Spork, and their very last release.
The dj returns for this full-length studio release. You can find
this one floating around if you're lucky, but you can always get a copy from Jess, eh?

Jess Rowland, The Center of Gravity (2000)
Jess's first full-length solo release. An experimental, ambient, strange, combination of live recording,
radio
static, bizzarre loops,
and more.

Jess Rowland, Music For Physical Theatre (2002-2005)
This is a set of compositions created specifically for performance by Shift Physical Theatre, spanning several years of collaborations. These works for modern dance have appeared in many venues to many reviews. This succesful collaboration with Physical Theater has already led to some new commisions, coming soon to a dance venue near you!

VALIS (2003)
Intercepted deep-space transmissions captured on a broken Casio. A special project with Tammy Fortin.
Also Available at Cdbaby.com

 

Spork, Theory of the Noisy Fourpoles (Session Recordings from 1997-1998)
Ah, the good old days before the dot-com explosion, when freaks ruled San Francisco. This stuff really captures the spirit of those long ago days of yore. Jess plays mostly keys and electronics. Also featured is jazz guitarist Roger Reidlebauer, along with a drummer and a dj. No bass! (except for Jess' left hand, that
is) People have described this music as "Art Damage". We don't know what that means.

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