Publications in Sound Art

Rowland J (2013) Flexible Audio for Composition and Art Practice, Leonardo Music Journal, No. 23, special issue on Sound Art. [PDF]
Freed A & Rowland J (2013) Colocated Surface Sound Interaction, ACM Conference on Human-Computer Interaction. Paris, France.[PDF]
Rowland J & Freed A (2012) Flexible Surfaces for Interactive Audio. Conference on Interactive Tabletops and Surfaces, 11/14/2012, Cambridge, MA. [PDF]
Rowland J & Freed A (2012) Printable Loudspeaker Arrays for Flexible Substrates and Interactive Surfaces. Audio Engineering Society, San Francisco.

Publications in Music and Auditory Neuroscience

Farbood M, Rowland J, Marcus G, Ghitza O & PoeppelD (2015) Decoding Time for the Identification of Musical Key. Atten Percept Psychophys. 77(1): 28–35. [PDF]
Wade A & Rowland J (2010) Early suppressive mechanisms and the negative BOLD response in human visual cortex. Journal of Neuroscience. 30(14): 5008–5019. [PDF]
Farbood M, Rowland J, Ghitza O, Poeppel D (2011) An Exploration of the Temporal Dynamics of Music Processing Using Gap Insertion. Northeast Music Cognition Group Meeting 2011 Presentation

Talks and Presentations

INSPIRATION – Jess Rowland: Spambot Sound Tapestries
Artist Talk, Harvestworks Digital Media Center, April 30, 2015
Artist Talk and Discussion, Graduate Seminar on Interaction Theory
California College of the Arts, January 29, 2014
Making and Breaking Paper Speakers
Stanford University, Dept. of Electrical Engineering, January 24, 2014
Flexible Audio Speakers for Sound Art Practice, Seminar presentation
University of York Department of Music, York, UK. Dec. 13, 2012